Paul Waters -- Luthier

20 Pamela Gardens

Bishops Stortford

Hertfordshire

CM23 3HD

ENGLAND

Archtop Guitars, Flat Top Guitars, Mandolin, Lutes and Viola de Gamba.

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Carving  The Back

The process starts with the selection of the figured maple blank
The maple blank is jointed and the outline cut. 

In this instance it was necessary to add two small wings to the lower bout. With careful selection of the pieces to be added the joint is almost invisible and allows it to be used on an instrument of this size.  

 Isolines are transferred to the top before carving begins. The isolines refer to points of equal height above the rib. 
Holes can then be drilled to the requires depth using a pillar drill. The waste can then be removed leaving a smooth arch. 
The back once rough carved is thicknessed from the inside and tuning of the plate can be started. Some of the modes of vibration are shown and are used as a guide in final carving before the back is fixed to the ribs. 

Once fixed to the ribs final adjustments are made when scraping the recurve.

 

 Modes of vibration on the finished back 

206 hz

347 hz

604 hz

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